“All this was familiar to me from my research in high-energy physics, but until that moment I had only experienced it through graphs, diagrams and mathematical theories. As I sat on that beach my former experiences came to life; I saw cascades of energy coming down from outer space, in which particles were created and destroyed in rhythmic pulses; I saw the atoms of the elements and those of my body participating in this cosmic dance of energy; I felt its rhythm and I heard its sound, and at that moment I knew that this was the Dance of Shiva, the Lord of Dancers worshipped by the Hindus— Frifjof Capra, The Tao of Physics
In essence the dance of Shiva, a high speed representation of the atomic level—high energy movements, pulsations, and rhythms.
“I was particularly attracted to the puzzling aspects of Zen which reminded me of the puzzles in quantum theory. At first, however, relating the two was a purely intellectual exercise. To overcome the gap between rational, analytical thinking and the meditative experience of mystical truth, was, and still is, very difficult for me.—Frifjof Capra
Mysticism is utilizing what has been experienced, while physics is theorizing, describing, and viewing the fields behind the instruments of what is probable. They have the same descriptions of matter and energy—one through boot strapped logic and rigorous tests, the other through intuition and the meditative arts.
Yet throughout the ages these displays of the cosmic dance are interpreted differently, based on the available language, technology, and culture. How would Black Elk describe this today? “Crazy Horse went into the world where there is nothing but the spirits of all things. That is the real world that is behind this one, and everything we see here is something like a shadow from that one—Black Elk
Or the Incas and their depiction of Alpa Camasca, meaning “animated earth”, or the Kofan and their ability to “intuitively” read the vibrations of plants and communicate their usefulness in language and practice—through a special process of seeing the cosmic rhythms.
“At the same time, everything is more than it appears, for the visible world is only one level of perception. Behind every tangible form, every plant and animal, is a shadow dimension, a place invisible to ordinary people but visible to the shaman”—Wade Davis, on the people of the Piraparaná, Amazon
So there we have it (there are many more) multiple cultures and even physicists describing a world very different from our normal level of magnification, each pointing to the universe as a unified cosmic dance—a dance without a regulating force.
“In other words I feel, no longer a stranger in the world, but that the external world were my own body…but a very overwhelming feeling that everything that happens, everything that I have ever done, anything anyone else has ever done, is part of a harmonious design—that there is no error at all—Alan Watts
It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet—Werner Heisenberg
What about when 10 lines of thought, jungles, and time irrelevant meeting at the doorstep of modern physics? Is that evidence?